The Collectors Club

58 West 40th Street, Mezzanine, New York, NY 10018

The Collectors Club
58 West 40th Street, Mezzanine, New York, NY 10018

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Welcome to the Collectors Club Online

The Collectors Club will be at Westpex 2026

Westpex is one of our favorite shows, and The Collectors Club will be attending Westpex 2026. We hope to see you there! Read more…

Boston 2026

Joint Dinner with The Collectors Club & United States Philatelic Classics Society

Saturday, May 23, 2026 in Boston, Massachusetts

Read more

 

The Collectors Club has a Substack

Please click this link to get regular updates: https://collectorsclub.substack.com  and don’t forget to bookmark it so you return often.

We are Open

Our business hours:

10 AM to 5 PM, Monday through Friday.

Our location is 58 West 40th Street in New York, on the mezzanine level. Visiting from out-of-town? Here are some suggestions where to stay and go.

Check out some interior views of our facility.

An email to collectorsclub@collectorsclub.org or a brief phone call at +1 212 683-0559 in advance would be appreciated.

The Collectors Club Philatelic Program Series®

On Wednesday, January 14 at 5:30pm EST, The Collectors Club presents: Annual Meeting and Special Presentation by Henry Scheuer presenting 1909 Inauguration Covers (William Howard Taft). You are invited to join a webinar and in-person presentation. (There is no need to register if you intend to attend at the Club.)
 Read more

Register Now

Presentation Featured Video

New APS Leadership presented by Mark Banchik & Kirk Gillis, January 7, 2026.

View the Video


Single Frame Competition November 5, 2025

Winners were:

Holyoake Award & Grand Award
Daniel Knowles – Trans-Mississippi River Express Mail Service by the CSA POD and Private Individuals during the American Civil War
Reserve Grand
Apratim Bhattacharya – Mails Through Chaos: Navigating Route Disruptions During the Indian Mutiny
Awards of Merit
Larry Lyons – Pomeroy’s Letter Express-1844
Bob Myers – The Siege of Paris 1870-1871-Military Balloon Mail
Behruz Nassre – Persia, Picture Postcard Tax of 1903-1908
Bob Gray – WWI India: The Home Front

 


About Us

Founded in 1896, the Collectors Club has been publishing its journal, The Collectors Club Philatelist, since 1922. Since 2020, the Club has hosted one of the most widely known and attended series of online philatelic presentations. In 2024, the Club moved into its new premises at 58 West 40th Street in Midtown Manhattan, across from Bryant Park and the New York Public Library.  Read more

  • President’s Message – November/December 2025

     

     

    I’d like to talk about economics – specifically, the economics of philately.

    Before I begin, let me emphasize that what follows reflects my own impressions, drawn from informal observation, rather than data or formal study.

    But first, a story.

    The first stamp show I ever attended was with my grandfather, somewhere in a Manhattan armory. I don’t remember the date or much about what I saw, though it must have been in the early 1960s. I also recall hearing older philatelic friends reminisce about those grand Armory shows.

    Of course, times have changed. We no longer see stamp shows in the heart of major cities – or even minor ones – let alone in major venues. Today, they’re usually held in modest, three-star hotels on the outskirts of town. And, while these locations serve their purpose, they’re not exactly inspiring. (If I’ve inadvertently offended anyone involved with such venues, please accept my preemptive apology – my experiences are limited and I am a foolish old man.)

    For clarity, I’m not including the major international exhibitions, such as New York 2016 or the upcoming Boston 2026. Those belong to a different category entirely – and, in a way, their scale and expense underscore my point.

    Now, let’s step away from philately for a moment and visit the Park Avenue Armory, at 643 Park Avenue between 66th and 67th Streets. From April 30 to May 3, that’s where you’ll find the New York International Antiquarian Book Fair.

    It’s a magnificent event – the venue grand, the booths beautifully designed, the presentation impeccable. The crowd is diverse: men and women, young and old, all engaged and curious. In other words, exactly what we’d love to see at a stamp show. Admission is $30 a day, or $65 for a multi-day pass.

    Now, imagine trying that with a stamp show. We hesitate to charge even $3 or $5 at the door – and when we do, there’s often pushback.

    Over time, we’ve seen the slow but steady erosion of the traditional economics that once sustained our shows. Dealers, the backbone of funding, have aged out, and few new ones have taken their place. As a result, the pool of support has shrunk, forcing shows into smaller, less central venues and creating anxiety about how to replace that lost revenue.

    Raising prices – whether for admission or exhibit frames – feels risky. Even organizers question whether the current model offers enough value. Many shows have declined in quality, making the value proposition even harder to justify.

    Meanwhile, at that book fair, dealers are selling – and selling high. I once watched my wife admire an old volume; the dealer, noticing her interest, began describing its history. I glanced at the tag: $900,000. Elsewhere, tables overflowed with vintage pulp novels and detective stories, rarely priced below $100.

    A $30 admission fee filters the audience – only those genuinely interested attend. I didn’t buy the million-dollar book, but I left inspired and began collecting books written in New York between the 1920s and 1940s.

    The book world, of course, has its own challenges. The internet has revolutionized used book sales – perhaps even more profoundly than it has altered stamp collecting – through sites like eBay, Alibris and AbeBooks. Yet somehow, the top-tier book fairs continue to thrive.

    There’s a lesson here for philately. The New York Antiquarian Book Fair is the major event of its kind in the United States. There are smaller ones in Boston and Los Angeles, but none dilute the prestige of the main fair. Compare that with our world: how many WSP shows do we have? Have we spread our efforts too thin?

    I’m not suggesting we simply copy the model used by the book trade. But I do believe we need to look beyond the familiar – to question assumptions, experiment with structure and explore new models. Because, as things stand, our current approach isn’t working – and it’s unlikely to sustain us in the long term.

    Wade Saadi, 1949-2025

    As this issue was nearing press-ready status, we learned of the passing of Wade Saadi on Wednesday Oct. 9. An email containing a portion of the following poem by Maya Angelou, which we felt was fitting, was sent out, along with the notice of Wade’s death.

    Wade Saadi

    When Great Trees Fall

    Great souls die and
    our reality, bound to
    them, takes leave of us.

    Our souls,
    dependent upon their nurture,
    now shrink, wizened.

    Our minds, formed
    and informed by their
    radiance, fall away.

    We are not so much maddened
    as reduced to the unutterable ignorance of
    dark, cold
    caves.

    ….

    Our senses, restored, never
    to be the same, whisper to us.
    They existed. They existed.
    We can be. Be and be
    better. For they existed.

    — Maya Angelou

    Our thoughts are with Gail and their family as they face this difficult time. A full obituary for Wade will appear in the January-February, 2026 issue.

     

     

    –Lawrence Haber

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Upcoming Events

Jan 14
5:30 PM - 7:00 PM

Annual Meeting

Jan 21
5:30 PM - 7:00 PM

Ephemera Society of America – Diane DuBlois

Feb 4
5:30 PM - 7:00 PM

My Latest, Greatest, Revenue Research Hits – Michael Mahler

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Featured Publications for Sale

New York City Foreign Mail 1845-1878, Two Vols
Nicholas M. Kirke
2024
The Mulready Postal Stationery
Alan Huggins, FRPSL, RDP & Alan Holyoake, FRPSL, RDP
The United States Post Offices in China and Japan 1867–1874
Richard C. Frajola, Michael Perlman & Lee Scamp
2006
William H. Gross Collection, United States Classics 1847-1869 (hardbound)
William H. Gross

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